![]() These are letters absolutely overflowing with humanity and energy, and they helped their audience absorb messages ranging broadly in topic from “Keep your teeth clean” all the way to “See America”, the latter representing an entire subgenre of travel and tourism posters designed to help encourage Americans to venture out and prop up the local economies of these places, while observing the varied beauty of the American landscape. I proposed the idea of a typeface, with two primary goals in mind: it was a chance to dive deeper into a source of inspiration I had admired for many years (the lettering of the WPA posters), and I imagined that it may be a convenient way to create another consistent visual thread through the series, simply by styling the way the park names appear. I first spoke to him about the Fifty-Nine Parks series in 2015, when he asked if I was interested in illustrating one of the prints. But this time, over the last half a decade, JP has been curating this series to celebrate the beauty of the American landscape, and its preservation via the National Parks. JP Boneyard, who has been curating poster shows for years with his National Poster Retrospecticus, a touring poster show. And while many different artists have contributed to the series, the letters have remained the same, at the bottom of each poster, helping to tie the series together.įifty-Nine Parks is the creation of Mr. ![]() ![]() Catlin Sans is a proprietary typeface for The Fifty-Nine Parks Print Series, a poster series that uses beautiful illustrations by many different artists to extoll the beauty of the American National Parks. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |